6. BIBLIOGRAPHY

BIBLIOGRAPHY

Adorno, T, & Horkheimer, M. (1944). “The Culture Industry: Enlightenment as Mass Deception” of the book Dialectic of Enlightenment. StanfordUniversity Press (2002). Online at

Ascott, R.2003. Telematic Embrace: visionary theories of art, technology and consciousness. (Edward A. Shanken, ed.) Berkeley: University of California Press.

Ascott, R. 2002. Technoetic Arts (Editor and Korean translation: YI, Won-Kon), (Media & Art Series no. 6, Institute of Media Art, YonseiUniversity). Yonsei: YonseiUniversity Press

Ascott, R. 1998. Art & Telematics: toward the Construction of New Aesthetics. (Japanese trans. E. Fujihara). A. Takada & Y. Yamashita eds. Tokyo: NTT Publishing Co.,Ltd.

Banks, J. Rorschach Audio. Art & Illusion for Sound. Disinformation. 2012. ISBN 978-1-907222-20-7

Bauman, Zygmut. 2000: Liquid Modernity. Cambridge: Polity ISBN 0-7456-2409-X

Benjamin,W. (1968). Hannah Arendt, ed. “The Work of Art in the Age of Mechanical Reproduction”, Illuminations. London: Fontana. pp. 214–218. ISBN 9781407085500. online at http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm

Bourriaud, Nicolas. Postproduction. Publisher: Lukas & Sternberg, New York. © 2002 Nicolas Bourriaud, Lukas & Sternberg. ISBN 0-9745688-9-9. http://www9.georgetown.edu/faculty/irvinem/theory/Bourriaud-Postproduction2.pdf

Cage, John. 1973. Silence: Lectures and Writings, Wesleyan University Press Paperback (first edition 1961). ISBN 0-8195-6028-6

Grau, O. Virtual Art, from Illusion to Immersion, MIT Press 2004, pp. 237–240, ISBN 0-262-57223-0

Goodman, Steve. Sonic Warfare, Off The Network, http://ciudadtecnicolor.files.wordpress.com/2010/08/0262013479-affecta.pdf

LaBelle, Brandon. Background Noise. Perspectives on Sound Art. 2006. The Continuum International Publishing Group Inc.

McLuhan, Marsahll. The Gutenberg Galaxy.

Manovich, L. 2006. Image Future, Manovich.net

Manovich, L. 1996. ON TOTALITARIAN INTERACTIVITY http://manovich.net/TEXT/totalitarian.html

Manovich, L. 2006. Friendly Alien: Object and Interface, 2006

Manovich, L. CINEMA AS A CULTURAL INTERFACE http://manovich.net/TEXT/cinema-cultural.html

Morse, A. H. (1925), Radio: Beam and Broadcast: Its story and patents, London: Ernest Benn.

Paul, C. (2003). Digital Art’ (World of Art series). London: Thames & Hudson ISBN 0-500-20367-9

Pellegrino, Ronald. The Electronic Arts of Sound and Light.

Popper, Frank. Art—Action and Participation, New York University Press, 1975

Shanken, E.A., Art and Electronic Media. London: Phaidon, 2009. ISBN 978-0-7148-4782-5

Schafer, Murray. The Soundscape. Our Sonic Environment and the Tuning of the World. 1977

Sound Art. Resonance Suplement. London Musicians’ Collective. 2005. ISSN 1352-772X. editor www.dosensos.org

Tanaka, Atau. Composing as a function of infrastructure. In Surface Tension: Problematics of site. Eds. Ken Ehrlich and Brandon Labelle. Los Angeles. Errant bodies Press, 2003. 205-212.

Weibel, P. and Shaw, J., Future Cinema, MIT Press 2003, pp. 472,572-581, ISBN 0-262-69286-4

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